Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):32. There are one or two motives (Ex.162-8)

Wagner: An Introduction to Der Ring des Nibelungen

Wiener Philharmoniker

歌词

专辑信息

1.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):1. Of all great musical compositions (Ex.1-4)

2.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):2. The fundamental symbol (Ex.5-11)

3.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):3. Returning now to the Nature Motive (Ex.12-16)

4.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):4. A number of further motives (Ex.17-21)

5.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):5. A second, much smaller family (Ex.22-25)

6.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):6. So much for nature (Ex.26-38)

7.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):7. The cause of the deterioration (Ex.39-44)

8.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):8. The other transformation (Ex.45-48)

9.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):9. Several other motives (Ex.49-52)

10.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):10. Two further motives (Ex.41,53-61)

11.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8)

12.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):12. Along another, more complex line (Ex.69-72)

13.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):13. In Act 2 of "Walküre" (Ex.69,73-75)

14.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):14. Returning now to Act 2 of "Walküre (Ex.76-79)

15.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):15. Love is another of the central symbols (Ex.80-83)

16.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):16. Later in the same scene (Ex.84-87)

17.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):17. Freia's motive has 2 independent segments (Ex.88-91

18.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):18. The label "Flight" (Ex.92)

19.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)

20.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):20. A little later in this interlude (Ex.99-103)

21.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):21. The other new motive (Ex.104-09)

22.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):22. There are several independent love-motives (Ex.110-

23.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):23. The characters in whose lives (Ex.115-120)

24.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):24. One further motive belongs (Ex.121)

25.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):25. The sword motive recurs (Ex.122-130)

26.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):26. Ironically, this phrase (Ex.131-5)

27.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):27. Closely associated with Gutrune's motive (Ex.136-40

28.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):28. Here we come to the end (Ex.141-6)

29.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):29. Complementary to this symbol (Ex.147-9)

30.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):30. One last central symbol (Ex.150-7)

31.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):31. One further motive connected (Ex.158-61)

32.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):32. There are one or two motives (Ex.162-8)

33.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):33. These motives of Alberich & Mime (Ex.169-71)

34.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):34. Quite a number of subsidiary motives (Ex.172-6)

35.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):35. Besides this family of motives (Ex.177-80)

36.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):36. Our final example (Ex.10,181-2)

37.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):37. In the final scene of "Götterdämmerung" (Ex.181-3)

38.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):38. Even more masterly (Ex.184-8)

39.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):39. Now if we return (Ex.189-91)

40.Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):40. This masterly way (Ex.192-3)