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Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):1. Of all great musical compositions (Ex.1-4)

Wiener Philharmoniker

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  1. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):1. Of all great musical compositions (Ex.1-4)
  2. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):2. The fundamental symbol (Ex.5-11)
  3. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):3. Returning now to the Nature Motive (Ex.12-16)
  4. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):4. A number of further motives (Ex.17-21)
  5. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):5. A second, much smaller family (Ex.22-25)
  6. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):6. So much for nature (Ex.26-38)
  7. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):7. The cause of the deterioration (Ex.39-44)
  8. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):8. The other transformation (Ex.45-48)
  9. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):9. Several other motives (Ex.49-52)
  10. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):10. Two further motives (Ex.41,53-61)
  11. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8)
  12. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):12. Along another, more complex line (Ex.69-72)
  13. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):13. In Act 2 of "Walküre" (Ex.69,73-75)
  14. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):14. Returning now to Act 2 of "Walküre (Ex.76-79)
  15. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):15. Love is another of the central symbols (Ex.80-83)
  16. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):16. Later in the same scene (Ex.84-87)
  17. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):17. Freia's motive has 2 independent segments (Ex.88-91
  18. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):18. The label "Flight" (Ex.92)
  19. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)
  20. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):20. A little later in this interlude (Ex.99-103)
  21. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):21. The other new motive (Ex.104-09)
  22. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):22. There are several independent love-motives (Ex.110-
  23. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):23. The characters in whose lives (Ex.115-120)
  24. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):24. One further motive belongs (Ex.121)
  25. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):25. The sword motive recurs (Ex.122-130)
  26. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):26. Ironically, this phrase (Ex.131-5)
  27. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):27. Closely associated with Gutrune's motive (Ex.136-40
  28. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):28. Here we come to the end (Ex.141-6)
  29. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):29. Complementary to this symbol (Ex.147-9)
  30. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):30. One last central symbol (Ex.150-7)
  31. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):31. One further motive connected (Ex.158-61)
  32. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):32. There are one or two motives (Ex.162-8)
  33. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):33. These motives of Alberich & Mime (Ex.169-71)
  34. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):34. Quite a number of subsidiary motives (Ex.172-6)
  35. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):35. Besides this family of motives (Ex.177-80)
  36. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):36. Our final example (Ex.10,181-2)
  37. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):37. In the final scene of "Götterdämmerung" (Ex.181-3)
  38. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):38. Even more masterly (Ex.184-8)
  39. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):39. Now if we return (Ex.189-91)
  40. Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples):40. This masterly way (Ex.192-3)