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Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Let's Put it Another Way

Leonard Bernstein

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Leonard Bernstein - The Harvard Lectures →
  1. Vol. I - Musical Phonology:Vol. I - Musical Phonology: First of All
  2. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Perhaps the Principal Thing
  3. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let Me Start
  4. Vol. I - Musical Phonology:Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
  5. Vol. I - Musical Phonology:Vol. I - Musical Phonology: From this Time
  6. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But How do we Investigate
  7. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now You Can See
  8. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Universality is a Big Word
  9. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Other Linguists
  10. Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Began by Imagining Myself
  11. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Well, Then I Thought
  12. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let's Make a Simple Analogy
  13. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Maybe Even a Divine One
  14. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Where do these Notes Come from?
  15. Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Acoustical Phenomenon
  16. Vol. I - Musical Phonology:Vol. I - Musical Phonology: All These Upper Notes
  17. Vol. I - Musical Phonology:Vol. I - Musical Phonology: The First Overtone
  18. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But More of that Later
  19. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's Not Make the Mistake
  20. Vol. I - Musical Phonology:Vol. I - Musical Phonology: And that's how the Tempered Clavichord
  21. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this is a Substantive Universal
  22. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's be Careful
  23. Vol. I - Musical Phonology:Vol. I - Musical Phonology: And there is Always that Blue Note
  24. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Even these Twelve Tones
  25. Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Trust You Realize
  26. Vol. I - Musical Phonology:Vol. I - Musical Phonology: And Again Comes a Great Leap
  27. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this Means
  28. Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes
  29. Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
  30. Vol. I - Musical Phonology:Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure
  31. Vol. I - Musical Phonology:Vol. I - Musical Phonology: And All by Those Progressions
  32. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now, I Must Point Out
  33. Vol. I - Musical Phonology:Vol. I - Musical Phonology: Do you Realize
  34. Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: I. Allegro molto
  35. Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: II. Andante
  36. Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
  37. Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
  38. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Every Once in a While
  39. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Last Week
  40. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Amen, says Noam Chomsky
  41. Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
  42. Vol. II - Musical Syntax:Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
  43. Vol. II - Musical Syntax:Vol. II - Musical Syntax: All Right, Let's Try Another One
  44. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Why Am I Taking Your Time
  45. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well Then
  46. Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Think it Follows
  47. Vol. II - Musical Syntax:Vol. II - Musical Syntax: But First, What are These Principles
  48. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Tranformational Grammar
  49. Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Just Think of that Sentence
  50. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Since this is not a Linguistics Class
  51. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Take the Passive Transformation
  52. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, it hasn't Brought us There
  53. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Together
  54. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now let's Go Back
  55. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now We Are Ready
  56. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now I Wanna Take You
  57. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization
  58. Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble
  59. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Here I Go
  60. Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Have Asked Myself
  61. Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Became so Fascinated
  62. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Let's Take one Such Utterance
  63. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Imagine
  64. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Let's See
  65. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Mozart's G Minor Symphony
  66. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Our Job is
  67. Vol. II - Musical Syntax:Vol. II - Musical Syntax: That Introductory Accompaniment
  68. Vol. II - Musical Syntax:Vol. II - Musical Syntax: What Does this Three-Note Design Mean
  69. Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Reason I Pick Symmetry
  70. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now From Here On
  71. Vol. II - Musical Syntax:Vol. II - Musical Syntax: And Once Again, We Are Back
  72. Vol. II - Musical Syntax:Vol. II - Musical Syntax: By Far the Chief Transformational Principle
  73. Vol. II - Musical Syntax:Vol. II - Musical Syntax: You See, One of the Great Failings
  74. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Most People Hearing Mozart's Opening
  75. Vol. II - Musical Syntax:Vol. II - Musical Syntax: So What Your Ask
  76. Vol. II - Musical Syntax:Vol. II - Musical Syntax: And if You are Still not Convinced
  77. Vol. II - Musical Syntax:Vol. II - Musical Syntax: These Ambiguities
  78. Vol. II - Musical Syntax:Vol. II - Musical Syntax: For Instance, in this Same First Movement
  79. Vol. II - Musical Syntax:Vol. II - Musical Syntax: So All these Syntactic Transformations of the Same Material
  80. Vol. II - Musical Syntax:Vol. II - Musical Syntax: He Talks About this Sonnet
  81. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Because Now it's Time
  82. Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Let's Listen to
  83. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Listen to the Whole Exposition
  84. Vol. II - Musical Syntax:Vol. II - Musical Syntax: Development Coming Up
  85. Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Circle of Fifths Again
  86. Vol. II - Musical Syntax:Vol. II - Musical Syntax: And That Was all One Single Sentence
  87. Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Other Day
  88. Vol. III - Musical Semantics:Vol. III - Musical Semantics: The First Would Show Us One Meaning
  89. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Think of this Famous Passage
  90. Vol. III - Musical Semantics:Vol. III - Musical Semantics: A Linguist Would Say
  91. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say
  92. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap
  93. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor
  94. Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, When You Think of the Number
  95. Vol. III - Musical Semantics:Vol. III - Musical Semantics: All Right, First Let's Look Briefly
  96. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Playing, That's the Word
  97. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Does This Stravinskian Game Concept
  98. Vol. III - Musical Semantics:Vol. III - Musical Semantics: There Are Three Specific Ways
  99. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor
  100. Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Here We Are in Trouble
  101. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt
  102. Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Will Never Know
  103. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, If We Accept This General Idea
  104. Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Our Last Lecture
  105. Vol. III - Musical Semantics:Vol. III - Musical Semantics: We All Recognize Antithesis
  106. Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Can And It Does
  107. Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Again, as in the Poem
  108. Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested
  109. Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Can Expand the Idea
  110. Vol. III - Musical Semantics:Vol. III - Musical Semantics: What Do You Suppose
  111. Vol. III - Musical Semantics:Vol. III - Musical Semantics: What' Seriously Striking
  112. Vol. III - Musical Semantics:Vol. III - Musical Semantics: So Why the Pastorale on this Lecture
  113. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Let's Begin at the Beginning
  114. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What of the More Obvious Melodic Material
  115. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But to Develop How
  116. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now We Have an Insight
  117. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Wait
  118. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added
  119. Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Metaphor Arises
  120. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But in the Ensuing Four Bars
  121. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But That's Not the Main Event
  122. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, That's the Beginning
  123. Vol. III - Musical Semantics:Vol. III - Musical Semantics: That's One of the Questions
  124. Vol. III - Musical Semantics:Vol. III - Musical Semantics: This Interference of the Two Frequencies
  125. Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What Are We to Say
  126. Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Is To Be Found
  127. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now That's One Way of Looking
  128. Vol. III - Musical Semantics:Vol. III - Musical Semantics: At This Point
  129. Vol. III - Musical Semantics:Vol. III - Musical Semantics: Even if You Can Succeed
  130. Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
  131. Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
  132. Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
  133. Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro
  134. Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
  135. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: When I First Wrote Down the Title
  136. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Part of the Danger
  137. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Idea of Ambiguity
  138. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Similarly, in Our Second Lecture
  139. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Then What's the Magic Secret
  140. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Enough of Ambiguity
  141. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Irony of All This
  142. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You
  143. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Where Music Was Concerned
  144. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Only Think Of
  145. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And Chopin Well We Can't Ignore Chopin
  146. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And Then, in The Same Little Mazurka
  147. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Foolish Questions
  148. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let Me Try to Read You
  149. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Listen To This
  150. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: They Began to Intermingle
  151. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Pivotal Point
  152. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So There Is a Dramatic Change
  153. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising
  154. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now If You Noticed
  155. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: You See, the Music Is Trying Hard
  156. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time
  157. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now Romeo Is All Stirred Up
  158. Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: 1. Roméo Seul: Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet: Andante malinconico e sostenuto
  159. Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - Larghetto espressivo - (Instrumental)
  160. Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - (Instrumental)
  161. Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental)
  162. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: What a Piece
  163. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed
  164. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: My Purpose In All This
  165. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Is It, Says Wagner
  166. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Every Diminished Seventh Chord
  167. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now the Remarkable Thing Is
  168. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And This Is What Gives Tristan
  169. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde")
  170. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: That May be the Slowest Performance
  171. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately
  172. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Poetry Has Begun to Show
  173. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And When Debussy
  174. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It's Lovely, This Dreaming
  175. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For Example, Do You Remember
  176. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: In Fact, the Ending of this Piece
  177. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let Me Show You Briefly
  178. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds
  179. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For Instance, Hardly Have We Had Time
  180. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Because the Scale
  181. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens
  182. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Literally Translated
  183. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But Notice, Too, that the Example
  184. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Both Works Have Definitive Beginnings
  185. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Listen As I Play
  186. Prélude à l'après-midi d'un faune, L. 86 (Remastered)
  187. Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Some Crazy Modern Music
  188. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Our Lecture Tonight
  189. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Rhapsodie espagnole, M. 54: IV. Feria
  190. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century
  191. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But 1908, if the Truth to be Told
  192. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Troubling Presentiments
  193. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, now in 1908
  194. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This Is Atonality
  195. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: A Charming Idea
  196. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Unanswered Question
  197. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I that Luminous Final Triad
  198. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I Have Recently Been Reading
  199. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Have Already Referred to Some of Those
  200. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: In Any Case
  201. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But For All These Reasons
  202. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Son of Tristan
  203. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now You Look at Those First Two Bars
  204. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Lots
  205. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's as Though a New Covenant
  206. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Trouble is, That the New Musical Rules
  207. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeling
  208. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Those Who Say
  209. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevitable
  210. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Is There Possibly the Beginning
  211. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: And What About Beethoven's Nineth
  212. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Are Some of the Problems
  213. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead
  214. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Let's Put it Another Way
  215. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: First of All, Berg Chose a Tone Row
  216. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, All in All
  217. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt)
  218. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Fantastic
  219. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Comes at a Point
  220. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto: II. Allegro, ma sempre rubato -
  221. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If This Particularly Demanding Lecture
  222. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If You Really Have Been Thinking
  223. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But While Restudying this Work
  224. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Twentieth Century
  225. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Do You Do If You Know All This
  226. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's Very Strange, How the Pieces
  227. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Exactly Was This News
  228. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema
  229. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: As You Listen to This Finale
  230. Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This is Mahler
  231. Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend
  232. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Know What Your Are Thinking
  233. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: What About This
  234. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Am Plaguing You With this Question
  235. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course What he is Really Talking About
  236. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But It Was Precisely
  237. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words
  238. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: In Fact, It Was Satie, Picasso, and Cocteau
  239. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Our Scene
  240. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even in the Most
  241. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: For Our Purposes
  242. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Musicologists Are Always Pointing
  243. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Bitonality Does Not Only Serve
  244. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, Polytonality Can And Does
  245. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now What's Going On
  246. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And While You Are in That Record Shop
  247. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, These Asymmetries
  248. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Brutal It May Be
  249. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now, Remember
  250. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: These Are Two Sets
  251. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Just Cast An Eye
  252. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now That Page of Music
  253. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect
  254. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This New Aesthetic Relaxation
  255. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even Some Germans
  256. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Can See How the Transformation
  257. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chomsky Himself Gives a Classic Example
  258. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Very Important, the Ironic Element
  259. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: So, It Would Seem
  260. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Neoclassic Approach
  261. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Think This Is Again a Moment
  262. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: It's the Essence
  263. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: If This Poem Were Rewritten
  264. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Why Have I Digressed
  265. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now Can You Understand
  266. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Untermeyer Called This
  267. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, With the Waste Land
  268. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Thing of It All Is
  269. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: We Are Going to Hear
  270. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: One Has Only Learnt to Get
  271. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I propose Only Because
  272. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This Union Is Possible Only Because
  273. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But What Has All This to Do With Stravinsky
  274. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And This Is the Essence
  275. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Look: Here Is a Joke
  276. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic
  277. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncements
  278. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Of Course He Was Forced
  279. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Now We Are Finally Ready
  280. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Then Mozart Appears
  281. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Eclecticism Knows No Bounds
  282. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now All This I Had Planned to Tell You
  283. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Think That's Funny
  284. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: How About That
  285. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Then Came the Answer
  286. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Why This Particular Misalliance
  287. Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: My Words Are Poor
  288. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King
  289. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis"
  290. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo"
  291. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus
  292. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Respondit Deus"
  293. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth
  294. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Dicere non possum"
  295. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Gloria!"
  296. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta
  297. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonn'erubescite, reges"
  298. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ne Probentur Oracula"
  299. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ego senem cecici"
  300. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow
  301. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II "Adest omniscius pastor"
  302. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri"
  303. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog
  304. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Divum locastae caput mortuum!"
  305. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ecce! Regem Oedipoda"
  306. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Va-le-di-co
  307. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: During that Decade
  308. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It Was At This Point That I Wrote
  309. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: What Interests Me About It
  310. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Is it Possible
  311. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It's As Tough in the Period
  312. Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: And I Believe