Leonard Bernstein - The Harvard Lectures

2018-08-24
歌曲列表
1.Vol. I - Musical Phonology:Vol. I - Musical Phonology: First of All
2.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Perhaps the Principal Thing
3.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let Me Start
4.Vol. I - Musical Phonology:Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
5.Vol. I - Musical Phonology:Vol. I - Musical Phonology: From this Time
6.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But How do we Investigate
7.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now You Can See
8.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Universality is a Big Word
9.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Other Linguists
10.Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Began by Imagining Myself
11.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Well, Then I Thought
12.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Let's Make a Simple Analogy
13.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Maybe Even a Divine One
14.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Where do these Notes Come from?
15.Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Acoustical Phenomenon
16.Vol. I - Musical Phonology:Vol. I - Musical Phonology: All These Upper Notes
17.Vol. I - Musical Phonology:Vol. I - Musical Phonology: The First Overtone
18.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But More of that Later
19.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's Not Make the Mistake
20.Vol. I - Musical Phonology:Vol. I - Musical Phonology: And that's how the Tempered Clavichord
21.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this is a Substantive Universal
22.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Let's be Careful
23.Vol. I - Musical Phonology:Vol. I - Musical Phonology: And there is Always that Blue Note
24.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Even these Twelve Tones
25.Vol. I - Musical Phonology:Vol. I - Musical Phonology: I Trust You Realize
26.Vol. I - Musical Phonology:Vol. I - Musical Phonology: And Again Comes a Great Leap
27.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now this Means
28.Vol. I - Musical Phonology:Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes
29.Vol. I - Musical Phonology:Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
30.Vol. I - Musical Phonology:Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure
31.Vol. I - Musical Phonology:Vol. I - Musical Phonology: And All by Those Progressions
32.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Now, I Must Point Out
33.Vol. I - Musical Phonology:Vol. I - Musical Phonology: Do you Realize
34.Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: I. Allegro molto
35.Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: II. Andante
36.Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
37.Symphony No. 40 in G Minor, K. 550:Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
38.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Every Once in a While
39.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Last Week
40.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Amen, says Noam Chomsky
41.Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
42.Vol. II - Musical Syntax:Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
43.Vol. II - Musical Syntax:Vol. II - Musical Syntax: All Right, Let's Try Another One
44.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Why Am I Taking Your Time
45.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well Then
46.Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Think it Follows
47.Vol. II - Musical Syntax:Vol. II - Musical Syntax: But First, What are These Principles
48.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Tranformational Grammar
49.Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Just Think of that Sentence
50.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Since this is not a Linguistics Class
51.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Take the Passive Transformation
52.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, it hasn't Brought us There
53.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Together
54.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now let's Go Back
55.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now We Are Ready
56.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now I Wanna Take You
57.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization
58.Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble
59.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Here I Go
60.Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Have Asked Myself
61.Vol. II - Musical Syntax:Vol. II - Musical Syntax: I Became so Fascinated
62.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Let's Take one Such Utterance
63.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Imagine
64.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Let's See
65.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Mozart's G Minor Symphony
66.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now Our Job is
67.Vol. II - Musical Syntax:Vol. II - Musical Syntax: That Introductory Accompaniment
68.Vol. II - Musical Syntax:Vol. II - Musical Syntax: What Does this Three-Note Design Mean
69.Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Reason I Pick Symmetry
70.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Now From Here On
71.Vol. II - Musical Syntax:Vol. II - Musical Syntax: And Once Again, We Are Back
72.Vol. II - Musical Syntax:Vol. II - Musical Syntax: By Far the Chief Transformational Principle
73.Vol. II - Musical Syntax:Vol. II - Musical Syntax: You See, One of the Great Failings
74.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Most People Hearing Mozart's Opening
75.Vol. II - Musical Syntax:Vol. II - Musical Syntax: So What Your Ask
76.Vol. II - Musical Syntax:Vol. II - Musical Syntax: And if You are Still not Convinced
77.Vol. II - Musical Syntax:Vol. II - Musical Syntax: These Ambiguities
78.Vol. II - Musical Syntax:Vol. II - Musical Syntax: For Instance, in this Same First Movement
79.Vol. II - Musical Syntax:Vol. II - Musical Syntax: So All these Syntactic Transformations of the Same Material
80.Vol. II - Musical Syntax:Vol. II - Musical Syntax: He Talks About this Sonnet
81.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Because Now it's Time
82.Vol. II - Musical Syntax:Vol. II - Musical Syntax: But Now Let's Listen to
83.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Listen to the Whole Exposition
84.Vol. II - Musical Syntax:Vol. II - Musical Syntax: Development Coming Up
85.Vol. II - Musical Syntax:Vol. II - Musical Syntax: The Circle of Fifths Again
86.Vol. II - Musical Syntax:Vol. II - Musical Syntax: And That Was all One Single Sentence
87.Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Other Day
88.Vol. III - Musical Semantics:Vol. III - Musical Semantics: The First Would Show Us One Meaning
89.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Think of this Famous Passage
90.Vol. III - Musical Semantics:Vol. III - Musical Semantics: A Linguist Would Say
91.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say
92.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap
93.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor
94.Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, When You Think of the Number
95.Vol. III - Musical Semantics:Vol. III - Musical Semantics: All Right, First Let's Look Briefly
96.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Playing, That's the Word
97.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Does This Stravinskian Game Concept
98.Vol. III - Musical Semantics:Vol. III - Musical Semantics: There Are Three Specific Ways
99.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor
100.Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Here We Are in Trouble
101.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt
102.Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Will Never Know
103.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now, If We Accept This General Idea
104.Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Our Last Lecture
105.Vol. III - Musical Semantics:Vol. III - Musical Semantics: We All Recognize Antithesis
106.Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Can And It Does
107.Vol. III - Musical Semantics:Vol. III - Musical Semantics: And Again, as in the Poem
108.Vol. III - Musical Semantics:Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested
109.Vol. III - Musical Semantics:Vol. III - Musical Semantics: We Can Expand the Idea
110.Vol. III - Musical Semantics:Vol. III - Musical Semantics: What Do You Suppose
111.Vol. III - Musical Semantics:Vol. III - Musical Semantics: What' Seriously Striking
112.Vol. III - Musical Semantics:Vol. III - Musical Semantics: So Why the Pastorale on this Lecture
113.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Let's Begin at the Beginning
114.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What of the More Obvious Melodic Material
115.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But to Develop How
116.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now We Have an Insight
117.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Wait
118.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added
119.Vol. III - Musical Semantics:Vol. III - Musical Semantics: The Metaphor Arises
120.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But in the Ensuing Four Bars
121.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But That's Not the Main Event
122.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Well, That's the Beginning
123.Vol. III - Musical Semantics:Vol. III - Musical Semantics: That's One of the Questions
124.Vol. III - Musical Semantics:Vol. III - Musical Semantics: This Interference of the Two Frequencies
125.Vol. III - Musical Semantics:Vol. III - Musical Semantics: But What Are We to Say
126.Vol. III - Musical Semantics:Vol. III - Musical Semantics: It Is To Be Found
127.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Now That's One Way of Looking
128.Vol. III - Musical Semantics:Vol. III - Musical Semantics: At This Point
129.Vol. III - Musical Semantics:Vol. III - Musical Semantics: Even if You Can Succeed
130.Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
131.Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
132.Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
133.Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro
134.Symphony No. 6 in F Major, Op. 68 "Pastoral":Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
135.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: When I First Wrote Down the Title
136.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Part of the Danger
137.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Idea of Ambiguity
138.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Similarly, in Our Second Lecture
139.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Then What's the Magic Secret
140.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Enough of Ambiguity
141.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Irony of All This
142.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You
143.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Where Music Was Concerned
144.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Only Think Of
145.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And Chopin Well We Can't Ignore Chopin
146.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And Then, in The Same Little Mazurka
147.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Foolish Questions
148.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let Me Try to Read You
149.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Listen To This
150.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: They Began to Intermingle
151.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: The Pivotal Point
152.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So There Is a Dramatic Change
153.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising
154.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now If You Noticed
155.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: You See, the Music Is Trying Hard
156.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time
157.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now Romeo Is All Stirred Up
158.Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: 1. Roméo Seul: Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet: Andante malinconico e sostenuto
159.Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - Larghetto espressivo - (Instrumental)
160.Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - (Instrumental)
161.Roméo and Juliet, A Dramatic Symphony, Op. 17:Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental)
162.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: What a Piece
163.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed
164.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: My Purpose In All This
165.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Is It, Says Wagner
166.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Every Diminished Seventh Chord
167.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Now the Remarkable Thing Is
168.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And This Is What Gives Tristan
169.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde")
170.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: That May be the Slowest Performance
171.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately
172.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Poetry Has Begun to Show
173.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: And When Debussy
174.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It's Lovely, This Dreaming
175.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For Example, Do You Remember
176.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: In Fact, the Ending of this Piece
177.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Let Me Show You Briefly
178.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds
179.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: For Instance, Hardly Have We Had Time
180.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Because the Scale
181.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens
182.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Literally Translated
183.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: But Notice, Too, that the Example
184.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Both Works Have Definitive Beginnings
185.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Listen As I Play
186.Prélude à l'après-midi d'un faune, L. 86 (Remastered)
187.Vol. IV - The Delights and Dangers of Ambiguity:Vol. IV - The Delights and Dangers of Ambiguity: Some Crazy Modern Music
188.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Our Lecture Tonight
189.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Rhapsodie espagnole, M. 54: IV. Feria
190.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century
191.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But 1908, if the Truth to be Told
192.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Troubling Presentiments
193.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, now in 1908
194.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This Is Atonality
195.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: A Charming Idea
196.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Unanswered Question
197.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I that Luminous Final Triad
198.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: I Have Recently Been Reading
199.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Have Already Referred to Some of Those
200.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: In Any Case
201.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But For All These Reasons
202.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Son of Tristan
203.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now You Look at Those First Two Bars
204.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Lots
205.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's as Though a New Covenant
206.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Trouble is, That the New Musical Rules
207.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeling
208.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Of Course, There Are Those Who Say
209.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevitable
210.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Is There Possibly the Beginning
211.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: And What About Beethoven's Nineth
212.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: These Are Some of the Problems
213.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead
214.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Let's Put it Another Way
215.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: First of All, Berg Chose a Tone Row
216.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: So, All in All
217.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt)
218.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Fantastic
219.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It Comes at a Point
220.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto: II. Allegro, ma sempre rubato -
221.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If This Particularly Demanding Lecture
222.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: If You Really Have Been Thinking
223.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: But While Restudying this Work
224.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: The Twentieth Century
225.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Do You Do If You Know All This
226.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: It's Very Strange, How the Pieces
227.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: What Exactly Was This News
228.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema
229.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: As You Listen to This Finale
230.Vol. V - The Twentieth Century Crisis:Vol. V - The Twentieth Century Crisis: This is Mahler
231.Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend
232.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Know What Your Are Thinking
233.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: What About This
234.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Am Plaguing You With this Question
235.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course What he is Really Talking About
236.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But It Was Precisely
237.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words
238.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: In Fact, It Was Satie, Picasso, and Cocteau
239.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Our Scene
240.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even in the Most
241.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: For Our Purposes
242.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Musicologists Are Always Pointing
243.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Bitonality Does Not Only Serve
244.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, Polytonality Can And Does
245.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now What's Going On
246.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And While You Are in That Record Shop
247.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, These Asymmetries
248.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Brutal It May Be
249.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now, Remember
250.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: These Are Two Sets
251.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Just Cast An Eye
252.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now That Page of Music
253.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect
254.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This New Aesthetic Relaxation
255.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Even Some Germans
256.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Can See How the Transformation
257.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chomsky Himself Gives a Classic Example
258.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Very Important, the Ironic Element
259.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: So, It Would Seem
260.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Neoclassic Approach
261.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: I Think This Is Again a Moment
262.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: It's the Essence
263.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: If This Poem Were Rewritten
264.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Why Have I Digressed
265.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now Can You Understand
266.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Untermeyer Called This
267.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Of Course, With the Waste Land
268.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But the Thing of It All Is
269.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: We Are Going to Hear
270.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: One Has Only Learnt to Get
271.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now I propose Only Because
272.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: This Union Is Possible Only Because
273.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But What Has All This to Do With Stravinsky
274.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And This Is the Essence
275.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Look: Here Is a Joke
276.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic
277.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncements
278.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Of Course He Was Forced
279.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Now We Are Finally Ready
280.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: And Then Mozart Appears
281.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But This Eclecticism Knows No Bounds
282.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Now All This I Had Planned to Tell You
283.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: You Think That's Funny
284.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: How About That
285.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: Then Came the Answer
286.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: But Why This Particular Misalliance
287.Vol. VI - The Poetry of Earth:Vol. VI - The Poetry of Earth: My Words Are Poor
288.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King
289.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis"
290.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo"
291.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus
292.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Respondit Deus"
293.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth
294.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Dicere non possum"
295.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act I: "Gloria!"
296.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta
297.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonn'erubescite, reges"
298.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ne Probentur Oracula"
299.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ego senem cecici"
300.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow
301.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II "Adest omniscius pastor"
302.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri"
303.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog
304.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Divum locastae caput mortuum!"
305.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Act II: "Ecce! Regem Oedipoda"
306.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Va-le-di-co
307.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: During that Decade
308.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It Was At This Point That I Wrote
309.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: What Interests Me About It
310.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: Is it Possible
311.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: It's As Tough in the Period
312.Stravinsky: Oedipus Rex:Stravinsky: Oedipus Rex: And I Believe
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