Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:2. Ordre und Musterrolle

RIAS Kammerchor Charles Regnier Chor des Norddeutschen Rundfunks Hans Werner Henze NDR-Sinfonieorchester Members of the Hamburger Knabenchor St. Nikolai

歌词

专辑信息

1.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Solo chi ama conosce" - Andante ma non troppo

2.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Sei tu Giulietta?" - Allegretto

3.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Sono i tuoi giorni un prato lucente" - Allegretto

4.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Tu eri il paggio favorito alla corte d'Oriente" - Allegretto (lo stesso tempo)

5.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"La bella trama, adorata dal mio cuore" - Corale

6.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Quando mi sei vicino" - Andante

7.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Passa la cacciatrice lunare" - Meno mosso

8.Muses Of Sicily (1966):1. Pastorale

9.Muses Of Sicily (1966):2. Adagio

10.Muses Of Sicily (1966):3. Silenus. Vivace

11.Moralities (1967):1. "In Urzeiten lebten friedlich" - Higgeli Pigelli"

12.Moralities (1967):2. "Ehe Zeit war, zu des Anfangs Beginn" - "Schwarz sollt ihr sein"

13.Moralities (1967):3. "Ein Schiff stach in See, verließ den Hafen" - Rauh wird die Nacht

14.Concerto For Piano And Orchestra No.2:1. Moderato

15.Concerto For Piano And Orchestra No.2:2. Vivace - Meno mosso - Tempo

16.Concerto For Piano And Orchestra No.2:3. Moderato -

17.Concerto For Piano And Orchestra No.2:4. Vivace -

18.Concerto For Piano And Orchestra No.2:5. Lento -

19.Concerto For Piano And Orchestra No.2:6. Vivace

20.Tristan (1973) Preludes For Piano, Tapes And Orchestra:1. Prologue

21.Tristan (1973) Preludes For Piano, Tapes And Orchestra:2. Lament

22.Tristan (1973) Preludes For Piano, Tapes And Orchestra:3. Preludes and Variations

23.Tristan (1973) Preludes For Piano, Tapes And Orchestra:4. Tristan's Folly

24.Tristan (1973) Preludes For Piano, Tapes And Orchestra:5. Adagio - Burla I (Valse) - Burla II (alla turca) - Ricercare I - Burla III (Marcia) - Ricercare II

25.Tristan (1973) Preludes For Piano, Tapes And Orchestra:6. Epilogue

26.Ballet Variations (1949):5. Poco Allegretto

27.Ballet Variations (1949):4. Allegro marciale

28.Drei Tientos für Gitarre:Tiento Nr. 1

29.Drei Tientos für Gitarre:Tiento Nr. 2

30.Drei Tientos für Gitarre:Tiento Nr. 3

31.Sonata For Strings:1. Allegro

32.Sonata For Strings:2. 32 Variazioni

33.Double Concerto For Oboe, Harp And Strings (1966):= c.112 -

34.Double Concerto For Oboe, Harp And Strings (1966):Andante ( = 50) -

35.Double Concerto For Oboe, Harp And Strings (1966):= 80 -

36.Double Concerto For Oboe, Harp And Strings (1966):Andante ( = 80)

37.Fantasia For Strings:1. Adagio

38.Fantasia For Strings:2. Tempo eines Trauermarsches

39.Fantasia For Strings:3. Espressivo

40.Fantasia For Strings:4. Allegro moderato - Meno mosso

41.Fantasia For Strings:5. Air - Pastorale - Air

42.Fantasia For Strings:6. Vivace - Epilogo. Adagio

43.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:1. Die Welt (The World - Le Monde)

44.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:2. Der Cimarrón

45.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:3. Die Sklaverei (Slavery - L'Esclavage)

46.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:4. Die Flucht (Flight - La Fuite)

47.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:5. Der Wald (The Forest - La Forêt)

48.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:6. Die Geister (The Spirits - Les Fantômes)

49.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:7. Die falsche Freiheit (False Freedom - La Fausse Liberté)

50.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:8. Die Frauen (Women - Les Femmes)

51.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:9. Die Maschinen (The Machines - Les Machines)

52.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:10. Die Pfarrer (The Clergy - Les Prêtres)

53.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:11. Der Aufstand (The Uprising - Le Soulèvement)

54.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:12. Die Schlacht von Mal Tiempo (The Battle of/La Bataille de Mal Tiempo

55.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:13. Der schlechte Sieg (The Evil Victory - La Mauvaise Victoire)

56.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:14. Die Freundlichkeit (Friendliness - L'Amabilité)

57.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:15. Das Messer (The Knife - Le Couteau)

58.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Ah! Schnee fällt aufs Blütenmeer

59.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Gut. Gut. Genau wie es mir passte

60.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Wie reizend du bist!

61.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Nimm Platz, mein Kind

62.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Du mein, ganz mein

63.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Aus dem Garten, paradiesisch

64.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Schon morgen von den Bergen

65.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Grüss Gott. Auf ein Wort nur

66.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Eins. Zwei. Drei. Vier. Wen bewundern wir?

67.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:1. Allegretto, con grazia

68.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:2. Notturno: Lento

69.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:3. Allegro con moto

70.Sinfonie Nr.5 (1962) For Large Orchestra:1. Movimentato

71.Sinfonie Nr.5 (1962) For Large Orchestra:2. Adagio

72.Sinfonie Nr.5 (1962) For Large Orchestra:3. Moto perpetuo

73.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:crotchet = 92

74.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:un poco meno mosso

75.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:meno mosso

76.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:Corona

77.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:meno mosso del tempo I

78.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Lento

79.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Song to Freedom

80.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Largo

81.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:dotted crotchet = 66

82.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:crotched = 66

83.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:crotchet = 92

84.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:più mosso

85.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:meno mosso

86.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:più mosso, con fuoco

87.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:dotted crotchet = 100

88.Sinfonie Nr. 2 (1949) For Large Orchestra:1. Lento

89.Sinfonie Nr. 2 (1949) For Large Orchestra:2. Allegro molto vivace

90.Sinfonie Nr. 2 (1949) For Large Orchestra:3. Adagio

91.Sinfonie Nr. 3 (1949-50) For Large Orchestra:1. Invocation Of Apollo

92.Sinfonie Nr. 3 (1949-50) For Large Orchestra:2. Dithyramb Moderato

93.Sinfonie Nr. 3 (1949-50) For Large Orchestra:3. Conjuring Dance

94.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 50

95.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 100 (T./b. 15)

96.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T. 49)

97.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T.72)

98.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T.155)

99.Sinfonie Nr. 4 (1955) For Large Orchestra:Dotted Crotched = 84 (T.205)

100.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 132 (T.272)

101.Sinfonie Nr. 4 (1955) For Large Orchestra:molto ritardando (T.418)

102.Sinfonie Nr. 4 (1955) For Large Orchestra:Quaver = 92 (T.460)

103.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:Prolog des Charon

104.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:1. Motto (Pascal "Pensées" aus dem 383. Fragment)

105.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:2. Ordre und Musterrolle

106.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:3. Journal der Überfahrt

107.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:4. Eine Antwort

108.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:5. Versuche zur Rettung

109.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:6. Die Ausschiffung

110.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:7. Ballade vom Verrat

111.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:8. Gesang mit neun Stimmen

112.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:9. Anweisungen für den zweiten Tag

113.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:10. Feststellung der Lage

114.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:11. Motto (Pascal, aus dem 205.-207. und 347. Fragment der "Pensées"

115.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:12. Appell unter dem Mond

116.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:13. Die Rechnung zum Tode

117.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:14. Die Ballade vom Mann auf dem Floß

118.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:15. Fuge der Überlebenden und Ankündigung der Rettung

119.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:16. Finale

120.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:1. Planimetry

121.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:2. Attempts At Molestation

122.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:3. The Veiled Messengers

123.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:4. The Listless Spy

124.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:5. Introduction To The Difficult Bourgeoisie

125.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:6. The Difficult Bourgeoisie: Attempted Return No.1

126.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:7. Attempted Return No.2

127.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:8. Attempted Return No.3

128.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:9. Geodesy

129.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:10. Speech Practice

130.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:11. Metapenthes

131.Der junge Lord / Act 1:Introduction "Herr Professor, ich nehme kein Blatt.."

132.Der junge Lord / Act 1:Ob er uns gefallen wird oder nicht?

133.Der junge Lord / Act 1:O Ida, liebste Ida

134.Der junge Lord / Act 1:Zu uns kommt ein Edelmann

135.Der junge Lord / Act 1:Vivat! vivat! Hoch lebe der reiche, englische Herr!

136.Der junge Lord / Act 1:Hu, kaltes Land - und Leute gaffen

137.Der junge Lord / Act 1:"Er ist es" / "Ist das Sir Edgar?"

138.Der junge Lord / Act 1:Entr'acte

139.Der junge Lord / Act 1:Mein liebes Kind

140.Der junge Lord / Act 1:Frau Baronin. Der Mohr ist da

141.Der junge Lord / Act 1:Dieser Mensch täuscht sich

142.Der junge Lord / Act 1:Zwischenspiel

143.Der junge Lord / Act 1:Hochverehrtes Publikum!

144.Der junge Lord / Act 1:Der Engländer ist aus dem Haus

145.Der junge Lord / Act 1:Hochverehrtes Publikum

146.Der junge Lord / Act 1:Im Namen des Gesetzes dieser Stadt

147.Der junge Lord / Act 1:"Wir sind ihm nicht gut genug" - Notturno

148.Der junge Lord / Act 2:Hu, der böse Mohr, der so schwarz wie Sünde ist!

149.Der junge Lord / Act 2:Leibhaftiger! Geister sind's nicht

150.Der junge Lord / Act 2:"Meine Luise"... "Oh, mein Wilhelm"

151.Der junge Lord / Act 2:Ihr Herren, hierher!

152.Der junge Lord / Act 2:Er wird Ihre Bälle und auch alle die Konzerte

153.Der junge Lord / Act 2:Zwischenspiel

154.Der junge Lord / Act 2:Man nimmt ein halbes Pfund goldenen Sirup

155.Der junge Lord / Act 2:Nur zu gerne ... und mit großer Erwartung

156.Der junge Lord / Act 2:Welche Freude!

157.Der junge Lord / Act 2:Dieser flegelhafte Mensch!

158.Der junge Lord / Act 2:Es ist genug, was dieser Herr sich herausnimmt!

159.Der junge Lord / Act 2:Zwischenspiel

160.Der junge Lord / Act 2:Diese Benommenheit

161.Der junge Lord / Act 2:Wo bin ich denn geblieben?

162.Der junge Lord / Act 2:Walzer der Debütantinnen

163.Der junge Lord / Act 2:Eine gewisse nationale Roheit

164.Der junge Lord / Act 2:Es wird Schreckliches geschehen

165.Der junge Lord / Act 2:Steht uns kein Himmel bei?

166.Concerto For Violin And Orchestra No.1 (1947):1. Largamente, rubato - Allegro molto

167.Concerto For Violin And Orchestra No.1 (1947):2. Vivacissimo (tempo 1) - Alla marcia (tempo 2)

168.Concerto For Violin And Orchestra No.1 (1947):3. Andante con moto

169.Concerto For Violin And Orchestra No.1 (1947):4. Allegro molto vivace

170.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:1. Calmo - attaca:

171.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:2. Vivo

172.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:3. Tranquillo

173.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:4. Tempo d'una marcia solenne, ma non lenta - attacca:

174.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:5. Grave - Come un inno

175.Concerto For Double Bass (1966):1. Moderato cantabile

176.Concerto For Double Bass (1966):2. Vivace

177.Concerto For Double Bass (1966):3. Ciacona

178.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:1. Aggio saputo ca la morte vene

179.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:2. A l'acqua de li ffuntanelle

180.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:3. Amaie 'na nenne pe' tridece mise

181.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:4. Amaie 'nu ninno cu' sudore e stiente

182.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:5. Arbero piccerillo, te chiantaie

183.Whispers From Heavenly Death (1948):1. "Darest thou now, o soul" (Moderato)

184.Whispers From Heavenly Death (1948):2. "No map there" (Tranquillo)

185.Whispers From Heavenly Death (1948):3. "I know it not, o soul" (Adagio)

186.Whispers From Heavenly Death (1948):4. "Till when the ties loosen" (Allegro)

187.Whispers From Heavenly Death (1948):5. "Then we burst forth" (Allegro molto)

188.Being Beauteous (1963) Cantata from "Illuminations" (1872/73)

189.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:(versuch über schweine) "deine versuche sind"

190.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:langer exkurs für entenlockflöte "einmal hieß es von ihm"

191.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:abschiedsformeln "es ist nicht strafbar"

192.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:feststellung "besser ist es"

193.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:müder anlauf und vorläufiges ende "der verstorbene naive"