El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:15. Das Messer (The Knife - Le Couteau)

歌词
专辑信息
1.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Solo chi ama conosce" - Andante ma non troppo
2.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Sei tu Giulietta?" - Allegretto
3.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Sono i tuoi giorni un prato lucente" - Allegretto
4.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Tu eri il paggio favorito alla corte d'Oriente" - Allegretto (lo stesso tempo)
5.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"La bella trama, adorata dal mio cuore" - Corale
6.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Quando mi sei vicino" - Andante
7.Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema":"Passa la cacciatrice lunare" - Meno mosso
8.Muses Of Sicily (1966):1. Pastorale
9.Muses Of Sicily (1966):2. Adagio
10.Muses Of Sicily (1966):3. Silenus. Vivace
11.Moralities (1967):1. "In Urzeiten lebten friedlich" - Higgeli Pigelli"
12.Moralities (1967):2. "Ehe Zeit war, zu des Anfangs Beginn" - "Schwarz sollt ihr sein"
13.Moralities (1967):3. "Ein Schiff stach in See, verließ den Hafen" - Rauh wird die Nacht
14.Concerto For Piano And Orchestra No.2:1. Moderato
15.Concerto For Piano And Orchestra No.2:2. Vivace - Meno mosso - Tempo
16.Concerto For Piano And Orchestra No.2:3. Moderato -
17.Concerto For Piano And Orchestra No.2:4. Vivace -
18.Concerto For Piano And Orchestra No.2:5. Lento -
19.Concerto For Piano And Orchestra No.2:6. Vivace
20.Tristan (1973) Preludes For Piano, Tapes And Orchestra:1. Prologue
21.Tristan (1973) Preludes For Piano, Tapes And Orchestra:2. Lament
22.Tristan (1973) Preludes For Piano, Tapes And Orchestra:3. Preludes and Variations
23.Tristan (1973) Preludes For Piano, Tapes And Orchestra:4. Tristan's Folly
24.Tristan (1973) Preludes For Piano, Tapes And Orchestra:5. Adagio - Burla I (Valse) - Burla II (alla turca) - Ricercare I - Burla III (Marcia) - Ricercare II
25.Tristan (1973) Preludes For Piano, Tapes And Orchestra:6. Epilogue
26.Ballet Variations (1949):5. Poco Allegretto
27.Ballet Variations (1949):4. Allegro marciale
28.Drei Tientos für Gitarre:Tiento Nr. 1
29.Drei Tientos für Gitarre:Tiento Nr. 2
30.Drei Tientos für Gitarre:Tiento Nr. 3
31.Sonata For Strings:1. Allegro
32.Sonata For Strings:2. 32 Variazioni
33.Double Concerto For Oboe, Harp And Strings (1966):= c.112 -
34.Double Concerto For Oboe, Harp And Strings (1966):Andante ( = 50) -
35.Double Concerto For Oboe, Harp And Strings (1966):= 80 -
36.Double Concerto For Oboe, Harp And Strings (1966):Andante ( = 80)
37.Fantasia For Strings:1. Adagio
38.Fantasia For Strings:2. Tempo eines Trauermarsches
39.Fantasia For Strings:3. Espressivo
40.Fantasia For Strings:4. Allegro moderato - Meno mosso
41.Fantasia For Strings:5. Air - Pastorale - Air
42.Fantasia For Strings:6. Vivace - Epilogo. Adagio
43.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:1. Die Welt (The World - Le Monde)
44.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:2. Der Cimarrón
45.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:3. Die Sklaverei (Slavery - L'Esclavage)
46.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:4. Die Flucht (Flight - La Fuite)
47.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:5. Der Wald (The Forest - La Forêt)
48.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:6. Die Geister (The Spirits - Les Fantômes)
49.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:7. Die falsche Freiheit (False Freedom - La Fausse Liberté)
50.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:8. Die Frauen (Women - Les Femmes)
51.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:9. Die Maschinen (The Machines - Les Machines)
52.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:10. Die Pfarrer (The Clergy - Les Prêtres)
53.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:11. Der Aufstand (The Uprising - Le Soulèvement)
54.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:12. Die Schlacht von Mal Tiempo (The Battle of/La Bataille de Mal Tiempo
55.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:13. Der schlechte Sieg (The Evil Victory - La Mauvaise Victoire)
56.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:14. Die Freundlichkeit (Friendliness - L'Amabilité)
57.El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans:15. Das Messer (The Knife - Le Couteau)
58.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Ah! Schnee fällt aufs Blütenmeer
59.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Gut. Gut. Genau wie es mir passte
60.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Wie reizend du bist!
61.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Nimm Platz, mein Kind
62.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Du mein, ganz mein
63.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Aus dem Garten, paradiesisch
64.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Schon morgen von den Bergen
65.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Grüss Gott. Auf ein Wort nur
66.Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze:Eins. Zwei. Drei. Vier. Wen bewundern wir?
67.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:1. Allegretto, con grazia
68.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:2. Notturno: Lento
69.Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963:3. Allegro con moto
70.Sinfonie Nr.5 (1962) For Large Orchestra:1. Movimentato
71.Sinfonie Nr.5 (1962) For Large Orchestra:2. Adagio
72.Sinfonie Nr.5 (1962) For Large Orchestra:3. Moto perpetuo
73.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:crotchet = 92
74.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:un poco meno mosso
75.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:meno mosso
76.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:Corona
77.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1:meno mosso del tempo I
78.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Lento
79.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Song to Freedom
80.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:Largo
81.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:dotted crotchet = 66
82.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:crotched = 66
83.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2:crotchet = 92
84.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:più mosso
85.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:meno mosso
86.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:più mosso, con fuoco
87.Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3:dotted crotchet = 100
88.Sinfonie Nr. 2 (1949) For Large Orchestra:1. Lento
89.Sinfonie Nr. 2 (1949) For Large Orchestra:2. Allegro molto vivace
90.Sinfonie Nr. 2 (1949) For Large Orchestra:3. Adagio
91.Sinfonie Nr. 3 (1949-50) For Large Orchestra:1. Invocation Of Apollo
92.Sinfonie Nr. 3 (1949-50) For Large Orchestra:2. Dithyramb Moderato
93.Sinfonie Nr. 3 (1949-50) For Large Orchestra:3. Conjuring Dance
94.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 50
95.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 100 (T./b. 15)
96.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T. 49)
97.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T.72)
98.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 80 (T.155)
99.Sinfonie Nr. 4 (1955) For Large Orchestra:Dotted Crotched = 84 (T.205)
100.Sinfonie Nr. 4 (1955) For Large Orchestra:Crotched = 132 (T.272)
101.Sinfonie Nr. 4 (1955) For Large Orchestra:molto ritardando (T.418)
102.Sinfonie Nr. 4 (1955) For Large Orchestra:Quaver = 92 (T.460)
103.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:Prolog des Charon
104.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:1. Motto (Pascal "Pensées" aus dem 383. Fragment)
105.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:2. Ordre und Musterrolle
106.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:3. Journal der Überfahrt
107.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:4. Eine Antwort
108.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:5. Versuche zur Rettung
109.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:6. Die Ausschiffung
110.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:7. Ballade vom Verrat
111.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:8. Gesang mit neun Stimmen
112.Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang:9. Anweisungen für den zweiten Tag
113.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:10. Feststellung der Lage
114.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:11. Motto (Pascal, aus dem 205.-207. und 347. Fragment der "Pensées"
115.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:12. Appell unter dem Mond
116.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:13. Die Rechnung zum Tode
117.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:14. Die Ballade vom Mann auf dem Floß
118.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:15. Fuge der Überlebenden und Ankündigung der Rettung
119.Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen:16. Finale
120.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:1. Planimetry
121.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:2. Attempts At Molestation
122.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:3. The Veiled Messengers
123.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:4. The Listless Spy
124.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:5. Introduction To The Difficult Bourgeoisie
125.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:6. The Difficult Bourgeoisie: Attempted Return No.1
126.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:7. Attempted Return No.2
127.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:8. Attempted Return No.3
128.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:9. Geodesy
129.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:10. Speech Practice
130.The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers:11. Metapenthes
131.Der junge Lord / Act 1:Introduction "Herr Professor, ich nehme kein Blatt.."
132.Der junge Lord / Act 1:Ob er uns gefallen wird oder nicht?
133.Der junge Lord / Act 1:O Ida, liebste Ida
134.Der junge Lord / Act 1:Zu uns kommt ein Edelmann
135.Der junge Lord / Act 1:Vivat! vivat! Hoch lebe der reiche, englische Herr!
136.Der junge Lord / Act 1:Hu, kaltes Land - und Leute gaffen
137.Der junge Lord / Act 1:"Er ist es" / "Ist das Sir Edgar?"
138.Der junge Lord / Act 1:Entr'acte
139.Der junge Lord / Act 1:Mein liebes Kind
140.Der junge Lord / Act 1:Frau Baronin. Der Mohr ist da
141.Der junge Lord / Act 1:Dieser Mensch täuscht sich
142.Der junge Lord / Act 1:Zwischenspiel
143.Der junge Lord / Act 1:Hochverehrtes Publikum!
144.Der junge Lord / Act 1:Der Engländer ist aus dem Haus
145.Der junge Lord / Act 1:Hochverehrtes Publikum
146.Der junge Lord / Act 1:Im Namen des Gesetzes dieser Stadt
147.Der junge Lord / Act 1:"Wir sind ihm nicht gut genug" - Notturno
148.Der junge Lord / Act 2:Hu, der böse Mohr, der so schwarz wie Sünde ist!
149.Der junge Lord / Act 2:Leibhaftiger! Geister sind's nicht
150.Der junge Lord / Act 2:"Meine Luise"... "Oh, mein Wilhelm"
151.Der junge Lord / Act 2:Ihr Herren, hierher!
152.Der junge Lord / Act 2:Er wird Ihre Bälle und auch alle die Konzerte
153.Der junge Lord / Act 2:Zwischenspiel
154.Der junge Lord / Act 2:Man nimmt ein halbes Pfund goldenen Sirup
155.Der junge Lord / Act 2:Nur zu gerne ... und mit großer Erwartung
156.Der junge Lord / Act 2:Welche Freude!
157.Der junge Lord / Act 2:Dieser flegelhafte Mensch!
158.Der junge Lord / Act 2:Es ist genug, was dieser Herr sich herausnimmt!
159.Der junge Lord / Act 2:Zwischenspiel
160.Der junge Lord / Act 2:Diese Benommenheit
161.Der junge Lord / Act 2:Wo bin ich denn geblieben?
162.Der junge Lord / Act 2:Walzer der Debütantinnen
163.Der junge Lord / Act 2:Eine gewisse nationale Roheit
164.Der junge Lord / Act 2:Es wird Schreckliches geschehen
165.Der junge Lord / Act 2:Steht uns kein Himmel bei?
166.Concerto For Violin And Orchestra No.1 (1947):1. Largamente, rubato - Allegro molto
167.Concerto For Violin And Orchestra No.1 (1947):2. Vivacissimo (tempo 1) - Alla marcia (tempo 2)
168.Concerto For Violin And Orchestra No.1 (1947):3. Andante con moto
169.Concerto For Violin And Orchestra No.1 (1947):4. Allegro molto vivace
170.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:1. Calmo - attaca:
171.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:2. Vivo
172.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:3. Tranquillo
173.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:4. Tempo d'una marcia solenne, ma non lenta - attacca:
174.Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley:5. Grave - Come un inno
175.Concerto For Double Bass (1966):1. Moderato cantabile
176.Concerto For Double Bass (1966):2. Vivace
177.Concerto For Double Bass (1966):3. Ciacona
178.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:1. Aggio saputo ca la morte vene
179.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:2. A l'acqua de li ffuntanelle
180.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:3. Amaie 'na nenne pe' tridece mise
181.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:4. Amaie 'nu ninno cu' sudore e stiente
182.Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra:5. Arbero piccerillo, te chiantaie
183.Whispers From Heavenly Death (1948):1. "Darest thou now, o soul" (Moderato)
184.Whispers From Heavenly Death (1948):2. "No map there" (Tranquillo)
185.Whispers From Heavenly Death (1948):3. "I know it not, o soul" (Adagio)
186.Whispers From Heavenly Death (1948):4. "Till when the ties loosen" (Allegro)
187.Whispers From Heavenly Death (1948):5. "Then we burst forth" (Allegro molto)
188.Being Beauteous (1963) Cantata from "Illuminations" (1872/73)
189.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:(versuch über schweine) "deine versuche sind"
190.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:langer exkurs für entenlockflöte "einmal hieß es von ihm"
191.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:abschiedsformeln "es ist nicht strafbar"
192.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:feststellung "besser ist es"
193.Essay On Pigs (1968) Based On A Poem By Gastón Salvatore:müder anlauf und vorläufiges ende "der verstorbene naive"