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专辑信息
Adya Classic, Vol. 2 →
- Trevobima (after E.H. Grieg's Morning Mood from Peer Gynt Suite No. 1,
- Atjenki (after G. Bizet's Toreador Song from Carmen Suite No. 1), for o
- Krilasko (after F. Mendelssohn-Bartholdy's Italian Symphony No. 4 in A
- Ourybova (after J. Offenbach's Barcarolle from Hoffman's Tales), for ch
- Ahriahne (after W.A. Mozart's Alla Turca from sonate in A, K 331/300I),
- Muvagora (after J. Strauss Jr's The Emperor, Op. 437), for soprano & or
- Nagodus (after J. Offenbach's Orpheus in the Underworld French Cancan),
- Siralynth (after Amazing Grace Hymn), for soprano, chorus & orchestra
- Netonkla (after J. Brahms' Hungarian Dance No. 5 in G Minor), for orche
- Souraktoff (after a. Ponchielli's Dance of the Hours from "La Gioconda"
- Dorilun (after J.S. Bach's Air from Suite No. 3 in D, BWV 106), for orc
- Solaekride (after G. Verdi'sA?da Triumphal March), for orchestra
- Midecras (after A.L. Dvorak's Largo from Symphony No. 9 in E Minor "Fro
- Lakisong (after J. Haydn's Serenade from String Quartet, Op. 3, No. 5),
- Ostintares (after P.I. Tchaikovsky's Swan Lake), for orchestra
- Endasori (after G.F. Handel's Harp Concerto Allegro in B flat), for orc
- Fagrozzi (after P.I. Tchaikovsky's Capriccio Italien Op. 45), for orche