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Daphnis et Chloé, M. 57:Scene 1: Invocation to the Nymphs

Charles MunchListen on Apple Music

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Ravel: Daphnis et Chloé, M. 57 (1955 Recording) →
  1. Daphnis et Chloé, M. 57:Scene 1: Invocation to the Nymphs
  2. Daphnis et Chloé, M. 57:Scene 1: Entrance of Daphnis and Chloé
  3. Daphnis et Chloé, M. 57:Scene 1: Dance of the Young Girls Around Daphnis
  4. Daphnis et Chloé, M. 57:Scene 1: Dorcon's Advance to Chloé
  5. Daphnis et Chloé, M. 57:Scene 1: Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé
  6. Daphnis et Chloé, M. 57:Scene 1: Dorcon's Grotesque Dance
  7. Daphnis et Chloé, M. 57:Scene 1: The Gracious Dance of Daphnis
  8. Daphnis et Chloé, M. 57:Scene 1: The Triumph of Daphnis and the Ecstatic Union with Chloé
  9. Daphnis et Chloé, M. 57:Scene 1: Entrance of the Temptress Lyceion and Dance of Veils
  10. Daphnis et Chloé, M. 57:Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé
  11. Daphnis et Chloé, M. 57:Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis
  12. Daphnis et Chloé, M. 57:Scene 2: Interlude
  13. Daphnis et Chloé, M. 57:Scene 2: The Orgiastic Dance of the Pirates
  14. Daphnis et Chloé, M. 57:Scene 2: Bryaxis Orders Chloé to Be Brought Forward and to Dance
  15. Daphnis et Chloé, M. 57:Scene 2: Chloé's Dance of Supplication
  16. Daphnis et Chloé, M. 57:Scene 2: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown
  17. Daphnis et Chloé, M. 57:Scene 3: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs
  18. Daphnis et Chloé, M. 57:Scene 3: Daphnis and Chloé are Reunited
  19. Daphnis et Chloé, M. 57:Scene 3: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story.
  20. Daphnis et Chloé, M. 57:Scene 3: Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé)
  21. Daphnis et Chloé, M. 57:Scene 3: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs
  22. Daphnis et Chloé, M. 57:Scene 3: Girls Dressed as Bacchantes Enter with Tambourines
  23. Daphnis et Chloé, M. 57:Scene 3: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers