Hiphop Knowledge

歌词
You know.. life is funny..
你知道生活如此多姿
If you don't repeat the actions of your own success you won't be successful
如果你不肯为你想要的目标付出努力,那你就不会成功
You gotta know your own formula, your own ingredients.What made you, YOU..
你须知适合自己的方法,你自己的性格优劣,是什么成就了你
1987 I was at the Latin Quarters
1987年我在“拉丁区”演出(纽约一个著名的hiphop演出夜店)
Listenin to Afrika Bambaata give the order
听着Afrika Bambaata所构想的制度
The call of the order was to avoid the slaughter
这个秩序的提出是为了避免人与人之间的争端(前面夜店老总和KRS-ONE的朋友因暴力争端遭枪杀)
He said, "Record companies ain't got nuttin for ya!"
他说:“唱片公司在这种制度下不会对这一系列的暴力争端毫无办法的。”
Without a lawyer, he taught The Infinity Lessons
他在没有法律解决的情况下教了那些最让我难忘的课
In how hip-hop could be a, many a blessing
关于嘻哈,如何造福我们的生活
And that was great, so in 1988,there was no debate, we had to end the hate Afrika
的想法触动了大家,所以在1988年这个圈子变得没有争执,我们必须消灭憎恶
The name of the game was "Stop the Violence" and unity, knowledge, and self-reliance
我们举行的活动叫 “停止暴力”同时是团结,知识也是信任的象征(hiphop诞生最初的主旨)
We - started talkin bout Martin and Malcolm
我们开始谈论Martin和 Malcolm(主导美国黑人民权运动的两位英雄)
Had these ghetto kids goin, "Huh, what about him?"
那些贫民窟的孩子进来倾听着:“嗯,他们怎么样了?”
1989, Professor Griff speaks his mind but his freedom of speech is declined
1989年,professor Griff在他的舞台敞开心扉(公敌成员)但他在舞台上畅所欲言的权利被逐渐削减
1990 came with the West coast.East coast, West coast, who is the best coast? 1990
年蹦出了个西海岸。东海岸,西海岸,哪个才是最溜的海岸?
Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
回首往昔,这场争执的本质是没营养的。这场海岸大战让我们失去了大众的关注。
We got hopeless; not with the lyrics and music but with hip-hop, and how we used it
我们觉得特别无助;不是因为歌词和音乐而是因为hiphop和大众对待它的态度
Or abused it, you know how the crew get."You like it cause you choose it"
要么就在歌里乱骂,你知道那些家伙是怎么看待它的。“你喜欢hiphop是因为你选择了它!”
1991, we opened our eyes with Human Education Against Lies,we tried to talk about the state of humanity 1991
年我们在做H.E.A.L时开阔了自己的领域,我们尝试诉说当今人类的现状。
They called me "Captain Human", another message was sent"Self Destruction don't pay the {fuckin} rent"
他们管我叫“领头人”,又有人说:“卖Self destruction的钱都不够付房租”(self destruction是krs聚集众多大咖做的一首公益歌曲)
Remember that? Nobody wanted conscious rap
想起了吗?没人想为清醒的说唱音乐买帐
It was like - where these ballers at?Where can they call us at? All was wack
这就像是-呆瓜们只会问“那些球员们在哪?我们在哪能见到他们?”(或指没人愿意理解意识说唱的内涵)都是怪人
Hip-Hop culture was fallin flat and that was that
嘻哈文化变得越来越单调的事实越来越凸显
So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
所以在1992年,我找到了自己的团队(bdp)。他们说,“KRS,这次你想干啥?”(93年以个人名义做歌)
I said, "Damn - why they wanna get with me?If I bust they {shit} I'm contradictory.
我说:“嘿!为什么他们(bdp)想跟我混?要是我打破了和他们的关系我会矛盾不已
If I play the bitch role, they take my shoe.Tell me what the {fuck} am I supposed to do?"
如果我成了破坏关系的那个角色,他们便会拆我的台。告诉我究竟该怎么做?”
So I did it, don't stop get it get it get it.All of a sudden these critics they wanna spit it
于是我不让他们跟我一起做。突然地这些嘴炮王们就想喷我了
"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
“krs-one那怂包还在犹豫不决。”就因为我不让这些rappers跟我混
{Fuck} that, {fuck} you and {fuck} your pen.If a rapper wanna diss, yo I'd do it again
废渣玩意带上你的笔一起滚吧,如果有rapper想diss尽管来,我会让你折服
But I'm makin these ends, and I got my friends
但我和我的朋友们就这么算了
And I really don't wanna have to sit in the pen.So I go back to the philosopher
我实在不想和那些家伙在笔杆子上坐死。所以,我又继续做我的“hiphop老师”
1993 hip-hop is uhh.. wack.Go back, check the facts
93年hiphop就像个怪人,回首前人之迹。
1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
994年“Return of the Boom Bap”发布了。这张专的完成要归功于Harry Allen的“说唱文化研究所”
Blowin up, 1995.Conscious rap is still alive
95年Blowing up这张专让我看到有思想的说唱依旧存在
But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
但没人想要清醒地去唱、去说,没人肯定它,他们还活在这该死的混沌现实中
1996 it really don't stop.We put together somethin called the Temple of Hip-Hop
96我依旧没有停止我所做的事,我和我的兄弟搞起了the Temple of Hip-Hop
Not just DJin, breakin, graf and lyrics.But how hip-hop affects the spirit
它的内容不仅仅包含了DJ、霹雳舞、涂鸦和说唱,而且还告诉你hiphop如何影响到我们的思想
"Step Into a World," that's what I did “
走进同一个世界”这就是我在做的
1997 I was raisin my kid or kids, but I, had to go 1997
年我细心地栽培我的孩子(作品),但我不得不离开
Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
因为纽约的那些的DJ们改了他们的flows,穿着的风格换了,身边的女人也都换了个遍。但我不会因此而改变。
I'll be damned if I dance for the MTV
我要是去MTV跳舞的话会被骂的狗血临头
So in 1998 I began to debate.Should I go now, or should I really wait?
于是在98年我开始仔细考虑未来,我是应该现在退出说唱圈还是继续等待?
'99, I moved to L.A. you see and took a gig with the WB
如你所知99年我搬到了L.A还找了个在WB的工作
Started studyin philosophy full-time.To have a full heart, full body, full mind
开始每日每夜地学习(哲学)知识来充实我的身心
But you know what the problem is or was?
但你知道出现了什么问题吗?
DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
们不花心思改善我的作品,因为他们的眼中只有钱
How they gonna really see a hip-hop school?How they gonna really see a hip-hop temple?
他们的眼中还有hiphop school和hiphop temple吗?
They don't even wanna play my instrumentals, but big up Dr. Dre, Snoop, Xzibit
那些崽子们甚至不想整我的伴奏,但那些冉冉新星们,Dr. Dre, Snoop, Xzibit
Especially Xzibit, he was there in a minute
尤其是Xzibit,他在公司里呆了段时间
Mic Conception, all of them, said"Yo you need help? I should call them"
那些说唱界的领头人们对我说:“老哥,如需帮助,解囊相助”
When I was in L.A., I held the crown.Bloods, Crips, they held me down
当我在洛杉矶的时候,老子曾如日中天。不过血帮瘸帮(指一些当头红的rapper)的势头把我压了下来
I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
我永远忘不了和MAD LION和killer pride在跳跳公路车里潇洒的日子
Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
也忘不了我的兄弟们Icy Ice, Lucky Lou,Julio G,Davey D, Ingrid, David Connor.Davey D, Ingrid, David Connor
The list goes on and on, let me tell ya FredWreck, and my man Protest.Much respect, no less
我的团队多了FredWreck和Protest且人数还有所增长。即便如此,团队里和睦一团。
To my spiritual and mental defenders.Big up to L.A., temple members
对发家于L.A的temple成员,我精神上和心灵上的捍卫者表示感谢
But in 2000, I seen how I wanted to live.I wasn't no executive
但在2000年,我渴望去演出。但在公司我又不是什么总经理
So I picked up the mic and I quit my job.Said to Simone I gotta get with God
所以我辞去工作重新拿起了麦。和Simone说以后的生活就听天由命了
She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
她说:“别太在意这些金钱,做歌的主旨不在于这些。”(告诫勿被金钱迷人眼)
Damn, she took me back to Bam!.Took me back to who I am!
嘿!她让我违背了自己的意愿!带我找回了自己!
Brought me back to the New York land!Now I overstand!..
带我回到了纽约!如今,我有了新的定向!
{interviewer}Now KRS-One, now you've been quoted as saying that rap is something we do, hip-hop is something you live.
采访者:KRS-ONE,现在我引述你的一句话说,说唱是我们的产物而嘻哈却是我们生活的方式
{KRS} Yes! KRS-ONE:
是的
{interviewer}Explain that to us please.
采访者:请向大家解释一下为何这么说
{KRS-One}Well, well, today hip-hop, we are advocating that hip-hop is not,just a music, it is an attitude, it is an awareness, it is a way to view the world.
嗯~嘻哈走到今天,我们一直在告诉大众,嘻哈不只是音乐形式,它是一种态度,是一种意识,是我们去看世界的方式
So rap music, is something we do, but HIP-HOP,is something we live.
所以说唱音乐是我们的产物,而嘻哈,则是我们灵感的源泉
And we look at hip-hop, in it's 9 elements;
今天我们看嘻哈被分成了九个部分
which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
它包含着霹雳舞,说唱,涂鸦艺术,bbox,街头潮流,街头语言,街头知识以及街头的创业精神-街头交易和街头生意
And uhh, that's where y'know that's the hip-hop that that that we're about.
然后你知道嘻哈来自……
We come from the uhh the root of, of Kool DJ Herc, who originated hip-hop in the early
70's 嘻哈源于DJ Kool Herc--在70年代早期创造嘻哈的始祖
and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons
后来Afrika Bambaata和Zulu Nation开办了The Infinity Lessons,而且在嘻哈里加入了自己的理念
and added conciousness to hip-hop, and then Grandmaster Flashwith the invention of the mixer, on to Run-D.M.C. and then myself.
再后来Grandmaster Flash发明了混音技术,在Run-D.M.C.和我的音乐都有用到
And uhh, we created the "Stop the Violence" movement, you may recall a song, "Self Destruction" and and and so on.
我们举办了一个叫"停止暴力"的活动,说起这个你会想起一首歌叫Self Destruction
All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility for how it looks and and acts in society.
我们所做的这一切是想通过这个文化活出自己的味儿,也尽起我们对社会的责任。
专辑信息
1.Intro - intro
2.Ghetto Lifestyles
3.Attendance
4.Hot
5.Why
6.Doth Thou Know
7.The Lessin
8.The Mind
9.Hiphop Knowledge
10.What Kinda World
11.I Will Make It
12.B-Side (Intro) - intro
13.Get Your Self Up
14.Krush Them
15.Hush
16.The Sneak Attack
17.Shutupayouface
18.False Pride
19.The Raptizm