Symphony No. 3 in D Minor, Part 2:IV. Sehr Langsam, Misterioso. Durchaus Leise - "O Mensch! Gib acht!" (Mezzo-Soprano)

150th Anniversary Box - Mahler

City of Birmingham Symphony Orchestra Sir Simon Rattle Birgit Remmert

歌词

专辑信息

1.Piano Quartet in A Minor

2.Symphony No. 3 in D Minor, Part 2:III. Comodo, Scherzando. Ohne Hast

3.Symphony No. 3 in D Minor, Part 1:I. Kräftig. Entschieden

4.Symphony No. 7 in E Minor:IV. Nachtmusik (Andante amoroso)

5.Symphony No. 7 in E Minor:III. Scherzo

6.Symphony No. 7 in E Minor:II. Nachtmusik (Allegro moderato)

7.Symphony No. 7 in E Minor:I. Langsam - Allegro

8.Symphony No. 7 in E Minor:V. Rondo-Finale

9.Symphony No. 3 in D Minor, Part. 2:VI. Langsam, Ruhevoll. Empfunden

10.Symphony No. 3 in D Minor, Part 1:V. Lustig im Tempo und keck im Ausdruck

11.Symphony No. 3 in D Minor, Part 2:IV. Sehr Langsam, Misterioso. Durchaus Leise - "O Mensch! Gib acht!" (Mezzo-Soprano)

12.Symphony No. 3 in D Minor, Part 2:II. Tempo di Menuetto. Sehr mässig

13.Symphony No. 6 in A Minor, "Tragic":IV. Finale (Allegro moderato)

14.Symphony No. 6 in A Minor, "Tragic":I. Allegro energico, ma non troppo

15.Symphonic No. 6 "Tragic":III. Scherzo (Wuchtig)

16.Symphonic No. 6 "Tragic":II. Andante moderato

17.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus)

18.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (k) "Blicket auf zum Retterblick" (Doctor Marianus, Chorus)

19.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (j) "Neige, neige" (Una Poenitentium, Blessed Boys, Mater Gloriosa)

20.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (h) "Dir, der Unberührbaren" (Chorus, Una Poenitentium)

21.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (f) "Hier ist die Aussicht frei" (Doctor Marianus)

22.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (e) "Uns bleibt ein Erdenrest" (More Perfect Angels, Younger Angels, Blessed Boys)

23.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (d) "Gerettet ist das edle Glied" (Choir of Angels, Choir of Blessed Boys, Younger Angels)

24.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (b) "Ewiger Wonnebrand" (Pater Ecstaticus)

25.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (a) Poco adagio - Wieder langsam "Waldung, sie schwankt heran" (Choruses I, II)

26.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (f) "Gloria sit Patri Domino" (Boys' Choir, Sopranos I, II, Contraltos I, II, Tenor, Choruses I, II, Baritone, Bass)

27.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (e) "Veni, Creator Spiritus" (Sopranos I, II, Contraltos I, II, Tenor, Baritone, Bass, Choruses I, II, Boys' Choir)

28.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (d) "Accende lumen sensibus" (Sopranos I, II, Contraltos I, II, Tenor, Baritone, Bass, Boys' Choir, Choruses I, II)

29.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (i) "Bei der Liebe, die den Füssen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

30.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (g) "Höchste Herrscherin der Welt" (Doctor Marianus, Chorus)

31.Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (c) "Wie Felsenabgrund mir zu Füssen" (Pater Profundus)

32.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (c) "Infirma nostri corporis" (Choruses I, II, Sopranos I, II, Contraltos I, II, Tenor, Baritone, Bass)

33.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (b) "Imple superna gratia" (Sopranos I, II, Tenor, Contraltos I, II, Baritone, Bass, Choruses I, II)

34.Symphony No. 8, "Symphony of a Thousand":I. Hymnus, Veni Creator spiritus, (a) "Veni, Creator Spiritus" (Choruses I, II)