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Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music ..." (4th Movt. Cont.)

New York Stadium Symphony OrchestraLeonard BernsteinListen on Apple Music

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Bernstein: The 1953 American Decca Recordings →
  1. Symphony No.9 In E Minor Op.95 "From The New World" B.178:4. Allegro con fuoco
  2. Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music ..." (4th Movt. Cont.)
  3. Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Movt.)
  4. Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)
  5. Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:2. "We Come Now To The Second Movement Which Has A Charming Melody ..." (2nd Movt.)
  6. Musical Analysis: Bernstein on Tchaikovsky Symphony No.6 op.74 "Pathetique":2. "Now The Development Section Erupts..." (1st Movt. Cont.)
  7. Musical Analysis: Bernstein on Tchaikovsky Symphony No.6 op.74 "Pathetique":1. "Now There Is A Melody A Pure Orchestral Song..." (1st Movt.)
  8. Musical Analysis: Bernstin On Dvorák Symphony No.9 Op.95 "From The New World" B.178:1. "Does This Music Sound Like The New World To You?" (3rd Movt. Trio II; 1st Movt.)