Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

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专辑信息
1.Recercada quarta sobre la Folia
2.La Spagna, à 5
3.Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)
4.Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
5.Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
6.Home Again, Market Is Done (Margaret Board Lute Book)
7.Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
8.Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
9.Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
10.Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
11.Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
12.Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
13.Music: Folias (Imperfectas) [Harp]
14.Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
15.La Folia: "Yo Soy La Locura"
16.Narration VII (3): Folly’s Origins
17.Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
18.Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
19.La Gamba In Basso, E Soprano (1564)
20.Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
21.Si habrá en este baldrés (C. M. Palacio No. 179)
22.Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
23.Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]
24.Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
25.Browning my Dear
26.Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
27.Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
28.Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
29.Todos los buenos soldados (La Guerra)
30.Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
31.Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
32.Saltarello (Mss. Venezia)
33.Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
34.Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
35.La Spagna (XVth Century)
36.Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
37.Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
38.Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
39.Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
40.Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
41.Diferencias Sobre ‘Las Vacas’ (Harp)
42.Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]
43.Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
44.Saltarello: Une musque de Buscaye (Instrumental)
45.A Florence la joyose cité (C. M. Montecassino No. 6)
46.Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
47.Audi, benigne Conditor (C. M. Montecassino No. 40)
48.Taskim & Dance (Ottoman)
49.Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
50.Lavava y suspirava (Anonymous Sephardic)
51.Malor me bat (Odhecaton, No. 63)
52.Benedic anima mea (Ps. 103, 1-3)
53.Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté
54.La déploration sur la mort de Johannes Ockeghem
55.“Latura tu” (Instrumental) [Odhecaton No. 94]
56.Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp)
57.Hélas madame, passamezzo (Henry VIII mss.10)
58.Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85)
59.Frottola: In te Domine speravi (C. M. Palacio No. 84)
60.Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp]
61.Puzzle-Canon II (Henry VIII mss.)
62.Scaramella va alla guerra
63.Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106)
64.Danza Alta (Instrumental) [C. M. Palacio No. 321]
65.Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly"
66.Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)
67.Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental)
68.Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols)
69.Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I
70.Adoramus te Domine (Montecassino mss. No. 4)
71.Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)
72.Balad: Ya es Tiempo de Recoger
73.Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)
74.Benedictus a 3
75.Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5
76.Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)
77.Vingtcinquiesme Fantasie. A Quatre
78.Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All
79.Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
80.Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
81.Gazel (Ottoman Song)
82.Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)
83.Tu pauperum refugium
84.Christ ist Erstanden à 6
85.Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now
86.In Nomine a 5 My Death
87.Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental)
88.Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934)
89.Plangite Pierides (Lament on the Death of Erasmus)
90.Pie Jesu (Requiem)