Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

Erasmus - Praise of Folly (English Version)

Hespèrion XX Harry Livingstone Anonymous Jordi Savall

歌词

暂无歌词

专辑信息

1.Recercada quarta sobre la Folia

2.La Spagna, à 5

3.Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)

4.Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

5.Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

6.Home Again, Market Is Done (Margaret Board Lute Book)

7.Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)

8.Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa

9.Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)

10.Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

11.Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico

12.Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)

13.Music: Folias (Imperfectas) [Harp]

14.Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"

15.La Folia: "Yo Soy La Locura"

16.Narration VII (3): Folly’s Origins

17.Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)

18.Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)

19.La Gamba In Basso, E Soprano (1564)

20.Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca

21.Si habrá en este baldrés (C. M. Palacio No. 179)

22.Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)

23.Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]

24.Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)

25.Browning my Dear

26.Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)

27.Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)

28.Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)

29.Todos los buenos soldados (La Guerra)

30.Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia

31.Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)

32.Saltarello (Mss. Venezia)

33.Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)

34.Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)

35.La Spagna (XVth Century)

36.Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)

37.Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)

38.Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)

39.Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)

40.Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)

41.Diferencias Sobre ‘Las Vacas’ (Harp)

42.Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]

43.Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)

44.Saltarello: Une musque de Buscaye (Instrumental)

45.A Florence la joyose cité (C. M. Montecassino No. 6)

46.Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata

47.Audi, benigne Conditor (C. M. Montecassino No. 40)

48.Taskim & Dance (Ottoman)

49.Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)

50.Lavava y suspirava (Anonymous Sephardic)

51.Malor me bat (Odhecaton, No. 63)

52.Benedic anima mea (Ps. 103, 1-3)

53.Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté

54.La déploration sur la mort de Johannes Ockeghem

55.“Latura tu” (Instrumental) [Odhecaton No. 94]

56.Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp)

57.Hélas madame, passamezzo (Henry VIII mss.10)

58.Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85)

59.Frottola: In te Domine speravi (C. M. Palacio No. 84)

60.Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp]

61.Puzzle-Canon II (Henry VIII mss.)

62.Scaramella va alla guerra

63.Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106)

64.Danza Alta (Instrumental) [C. M. Palacio No. 321]

65.Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly"

66.Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)

67.Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental)

68.Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols)

69.Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I

70.Adoramus te Domine (Montecassino mss. No. 4)

71.Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)

72.Balad: Ya es Tiempo de Recoger

73.Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)

74.Benedictus a 3

75.Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5

76.Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)

77.Vingtcinquiesme Fantasie. A Quatre

78.Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All

79.Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

80.Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

81.Gazel (Ottoman Song)

82.Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)

83.Tu pauperum refugium

84.Christ ist Erstanden à 6

85.Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now

86.In Nomine a 5 My Death

87.Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental)

88.Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934)

89.Plangite Pierides (Lament on the Death of Erasmus)

90.Pie Jesu (Requiem)