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Alla marcia
Andrew KeenerEndellion String Quartet
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专辑信息
- Holiday Diary Op. 5: I. Early Morning Bathe
- Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto
- Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo
- Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto
- Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo
- Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante
- Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto
- Suite No. 2 in D for Solo Cello Op.80: IV Andante lento
- Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro
- Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento
- Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro
- Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento
- Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo
- Holiday Diary Op. 5: III. Funfair
- Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico
- Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto
- Three Character Pieces (1930): I. John (Poco allegro vivace)
- Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne
- Night Piece (Notturno) (1963)
- Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto
- Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous
- Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso)
- Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto
- Holiday Diary Op. 5: II. Sailing
- Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit
- Twelve Variations (1931)
- Moderato and Nocturne (Sonatina romantica, 1940): Moderato
- Holiday Diary Op. 5: IV. Night
- Three Character Pieces (1930): II. Daphne (Poco andante grazioso)
- Two Lullabies (1936): Lullaby for a Retired Colonel
- Moderato and Nocturne (Sonatina romantica, 1940): Nocturne
- Two Lullabies (1936): Lullaby
- Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca
- Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple
- Suite for violin and piano Op. 6: II. March (Allegro alla marcia)
- Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco)
- Suite for violin and piano Op. 6: I. Introduction (Andante maestoso)
- Five Walztes (Waltzes) (1923-5/1969): III. Dramatic
- Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato)
- Cello Sonata in C Op. 65: III. Elegia (Lento)
- Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo)
- Cello Sonata in C Op. 65: IV. Marcia (Energico)
- Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast
- Mazurka elegiaca Op. 23 No. 2
- Cello Sonata in C Op. 65: I. Dialogo (Allegro)
- Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction -
- Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto)
- Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante)
- Cello Sonata in C Op. 65: V. Moto perpetuo (Presto)
- Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura)
- Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico)
- Quartettino (1930): I. Andante - Allegro molto e con fuoco
- Quartettino (1930): III. Allegro molto vivace
- Rhapsody for string quartet (1929)
- String Quartet in D: I. Allegro maestoso
- Quartettino (1930): II. Poco adagio ma con moto
- Elegy (1930)
- String Quartet in D: II. Lento ed espressivo
- String Quartet in D: III. Allegro giocoso
- Phantasy in F minor
- 3 Divertimenti: Waltz
- 3 Divertimenti: Burlesque
- Phantasy Op. 2
- Alla marcia
- 3 Divertimenti: March
- String Quartet No. 1 in D Op 25: I. Andante sostenuto
- String Quartet No. 1 in D Op 25: III. Andante calmo
- String Quartet No. 1 in D Op 25: IV. Molto vivace
- String Quartet No. 1 in D Op 25: II. Allegretto con slancio
- String Quartet No. 2 in C Op 36: I. Allegro calmo senza rigore
- String Quartet No. 2 in C Op 36: II. Vivace
- String Quartet No. 2 in C Op 36: III. Chacony (Sostenuto)
- String Quartet No. 3 Op 94: II. Ostinato (Very fast)
- String Quartet No. 3 Op 94: I. Duets (with moderato movement)
- String Quartet No. 3 Op 94: III. Solo (Very calm)
- Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente
- String Quartet No. 3 Op 94: IV. Burlesque (Fast, con fuoco)
- String Quartet No. 3 Op 94: V. Recitative and Passacaglia 'La Srenissima' (Slow)
- Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato
- Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto
- Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato)
- Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato
- Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato
- Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente)
- Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo)
- Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante)
- Nocturnal after John Dowland, Op. 70: I. Musingly (Meditation) (Meditation)
- Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole)
- Nocturnal after John Dowland Op. 70: III. Restless (Inquieto)
- Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso)
- Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia)
- Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti)
- Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante)
- Nocturnal after John Dowland, Op. 70: VIII. Passacaglia (Misurato)
- Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo)