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Eberhard Richter
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Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso -
Totentanz (Paraphrase über Dies Irae), S. 126
Fantasia on Themes from Beethoven's "The Ruins of Athens", S. 122
Totentanz, S. 126
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio -
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace - Allegro animato -
Piano Concerto No. 2 in A Major, S. 125: I. (a) Adagio sostenuto assai -
Piano Concerto No. 2 in A Major, S. 125: I. (b) Allegro agitato assai - Un poco più mosso - Tempo del andante -
Piano Concerto No. 2 in A Major, S. 125: II. Allegro moderato -
Piano Concerto No. 2 in A Major, S. 125: III. (a) Allegro deciso -
Piano Concerto No. 2 in A Major, S. 125: III. (b) Marziale un poco meno allegro - Un poco animato - Un poco meno mosso -
Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato
Polonaise brillante, for Piano and Orchestra, S. 367 (Arr. from Weber, Op. 79)
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato
Fantasia on Hungarian Folk Themes, for Piano and Orchestra, S. 123
Totentanz (Paraphrase über Dies Irae), S. 126
Fantasia on Themes from Beethoven's "The Ruins of Athens", S. 122
Malédiction in E Minor, for Piano and Orchestra, S. 121
Piano Concerto No. 1 in E-Flat Major, S. 124:I. Allegro maestoso
Piano Concerto No. 2 in A Major, S. 125: III. (b) Marziale un poco meno allegro - Un poco animato - Un poco meno mosso -
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