| For Philip Guston (1984): Part 1 | Morton Feldman: For Philip Guston (1984) |
| Rothko Chapel V | Rothko Chapel / Why Patterns? |
| Coptic Light | Coptic Light |
| Patterns in a Chromatic Field | Patterns in a Chromatic Field |
| Atlantis (1959) | Morton Feldman: Atlantis |
| For Philip Guston p. Fade-In | Morton Feldman: For Philip Guston |
| For Philip Guston p. 76 Fade-In | Morton Feldman: For Philip Guston |
| For Philip Guston pp. 1-23 | Morton Feldman: For Philip Guston |
| For Philip Guston p. 23 Fade-In | Morton Feldman: For Philip Guston |
| For Philip Guston p. 53 Fade-Out | Morton Feldman: For Philip Guston |
| For Philip Guston p. 77 Fade-Out | Morton Feldman: For Philip Guston |
| For Philip Guston pp. 53-76 | Morton Feldman: For Philip Guston |
| For Philip Guston pp. 77-102 | Morton Feldman: For Philip Guston |
| For Philip Guston p. 24 Fade-Out | Morton Feldman: For Philip Guston |
| For Philip Guston pp. 24-52 | Morton Feldman: For Philip Guston |
| Numbers (1964) | James Tenney: Forms 1-4 (1993) for Ensemble |
| Palais de mari for piano | Last Pieces |
| Routine Investigations | Routine Investigations |
| Words and Music | Words and Music |
| For Frank O'Hara | Routine Investigations |
| The Viola in My Life II | Routine Investigations |
| The Viola in My Life I | Routine Investigations |
| I Met Heine on the Rue Fürstenberg | Routine Investigations |
| Rothko Chapel 5 | Rothko Chapel |
